Lyrics Rafi Suraiya O Sanam O Sanam
Mohammed Rafi Lata Mangeshkar Hit Songs Lyrics. There are 118 Songs of Mohammed Rafi Lata Mangeshkar Hit Songs Lyrics, Here is a Mohammed Rafi Lata Mangeshkar Hit Songs List with their link of Mohammed Rafi Lata Mangeshkar Hit Songs Lyrics. Lata Mangeshkar, Mohammad Rafi; O Sanam Tere Ho Gaye Ham (Ayee Milan Ki Bela) Mohammad Rafi, Lata. Hindi Songs sung by Suraiya Jamaal Sheikh (Suraiya) with music video. Latest Hindi Songs lyrics with music video categorized by music director, lyricist, composer, singer and release year.
Suraiya was the last of the singer-actresses before ‘playback’ took overcompletely in the late 1940s. With Noor Jehan and Khursheed moving to Pakistanin the wake of Partition, the path was clear for the meteoric rise of Suraiyaas a singing star.
Her career, though voluntarily cut short, saw its share ofhighs and lows. She was never a ‘playback’ singer; she sang only for herselfon screen. (A couple of her songs were axed from the films for which they wereoriginally intended, and then used later on as playback for other actresses; and apart from one instance,she never did sing for anyone else.). Havingheard Suraiya rehearsing, and being impressed with her ability to emote whilesinging, KL Saigal recommended her for the heroine’s role in Tadbir.
ForSuraiya, a self-confessed Saigal fan, it was a dream come true. It was theirfirst collaboration, both as singers and as co-stars. After the departure ofNoor Jehan and Khursheed to Pakistan after the partition, Suraiya was the onlyactress left who sang her own songs. Saigal and Suraiya proceeded to act (andsing) together in two other movies – Omar Khayyam and Parwana (1946). Oneof the handful of movies that Suraiya and Dev Anand signed so they could spendas much time together, the film flopped, but this song is a lively foot-tappingnumber that outlasted the fate of the movie.
S Mohinder was one of thelesser-known composers who was introduced to films by Aroon (actor Govinda’sfather) in Sehra (1948). GM Durraniwas quite a popular actor-singer until the floodgates of playback singingopened and singers like Mohammed Rafi, Talat Mahmood, and Mukesh becamepopular.
He had some very popular numbers to his credit.Theother song that I had shortlisted was from Aajki Raat (1948). It is in the style of sawal-jawabsongs that were quite popular at onetime.8. (W ith Lata Mangeshkar)Sanam (1951)Music: Husnlal-BhagatramLyrics: Qamar Jalalabadi.
Suraiyafamously said of Lata: 'Noor Jehan was born great, Lata achieved greatnessand I had (singing) greatness thrust upon me.' She firmly believed thatshe had not an iota of Lata Mangeshkar’s talent, and once in an interviewconfessed that when Lata recorded her first duet with her (Suraiya) for Balam (1949), she was so spellbound she missed hercue. It speaks to Suraiya’s humility and her generosity of spirit that shecould look her competitor in the eye and accept the greatness of her talentwithout rancour. Lata always said that Suraiya had treated her with affectionand warmth though the two were never friends. The two sang a grand totalof five duets together.9.
(With Asha Bhosle) ShamaParwana (1954) Husnlal-Bhagatram - Majrooh Sultanpuri. While Raahi matwaale remains the most popular of the songs fromWaris, this song is a revelation. Talat's smooth-as-silk voice blends melodiouslywith Suraiya's honey-coated vocals. Talat Mahmood acted with Suraiya in Waris(1954) and Malik (1958). When he heard that Suraiya was retiring after RustomSohrab, he was dismayed. Having shared an excellent rapport with his co-star oftwo films, and his partner in many a duet, he knew her as a good human being aswell as a good artiste. Their songs in Waris are popular even after all theseyears.
Wonderful post once again, Anu!jago aiyi usha is an interesting document. The whole song has this Bengal-feel to it!Both their voices sound still so raw or do you think it was the style of singing at that time?Is there a portion of balam tohe sabr pade missing? I couldn't see the Suraiya part of the duet.
What a rendition by Saigal! Wow!teri nazar me main rahoon is such a lilting song! Thanks for sharing it!layi khushi ki duniya shows the budding romance between the lead pair so clearly.
They even don't have to hold hands for that to be evident!Good to know that there are two different Shyams. Another fav of my Suraiya-Shyam duet (maybe this is the only other one!;-)) zaalim zamana mujhko from Dillagithink I had too high expectations with Geeta and Suraiya coming together!Sounds a bit like jaa jaa re jaa from AdalatPrefer kyu dil me mere base ho than teri zalim nigahon ne.Bedard shikari seems to be an early prevention-of-cruelty-against-animals song!
Meena Kumari did lots of supporting roles till she got leading roles, no?Nice to hear Suraiya's kind words for Lata, it reflects her (Suraiya's) greatness and 'bade dil'-ness!Don't you think it is jaake laage naina woh paaye nahin chaina? And do you think is the male singer singing between 1:10 and 1:19? A beautiful duet! Loved it!I didn't know that she acted with Prithviraj Kapoor before Sohrab Rustom. I always thought that she first acted with the sons and then with the father!To tell you the truth I found ghar tera apna ghar lage very boring though the words sound sweet.I think I will take rahi matwale or aap se pyar hua jata hai or dil-e-nadan any day.Thanks for the Nimmi anecdote!Tu zara si baat pe khafa na ho is good.
Lucky Ali O Sanam
I think she could have sung more such tunes. It is not that western, is it?albela saiyan is good. Had never heard it before. Or did you have it hidden somewhere in your Shamshad post?;-)Love dil le gayaji koi dil le gaya too!Man dhire dhire was new for me!Thanks Anu, for introducing us to so many lesser known songs! SSWI like this one from Sanam particularly Suraiya's slacks, they go all the way from the ground up to her neck. Simple Jack and Jill type song but nice chemistrylike this song from Dastaan actually not the song which is quite ho-hum but the music leading to it which I am half sure is done by the arranger and not Naushad just as I feel that 'Tara ri ara ri ' has more of an other person feel than a standard Naushad song.
I think Naushad takes over where the piano leaves off. I think the piano notes lead to another song that I have heard before. It is a somewhat familiar western tune. It isn't a duet but Raj Kapoor talks.http://suraiya-songs2.tripod.com/sitebuildercontent/sitebuilderfiles/daastaan04aishammatubataateraparwanakaunhaiintrorajkapoordialogues.mp3.
SridharDear Anuradha, I knew it would be worth the wait, and you didn't disappoint. So many of the earlier songs, even in the duets, and 'Tu zara si baat pe khafa na ho' was completely new to me, even though I have been listening to Suraiya songs for since I was a young man. I spent so much time listening to this and the solos that you had posted earlier, that I didn't find the time to comment. It is not just the list, but also the songs that you link to in the post itself, so there are that many more to listen to.God bless you.Ramnathan. Harvey, you never disappoint me!
I love that you comment on each and every song. So responding to your response: I think Manna Dey's voice was raw in Jaago aayi usha and Suraiya was what? When she recorded it? Coupled with the singing style that was the norm then, I guess it's to be expected.Balam tujhe sabr pade mora is a Saigal solo. A comment by Shashi came into my email feeds, but for some reason, neither Disqus nor Blogger comments shows it. I'm cutting and pasting this from my email, with due apologies to Shashi, who must have been wondering why his comment never showed up:Shashi has left a new comment on your post 'The Legends: Suraiya - Part 2':I didn't know Suraiya and Lata Mangeshkar were of the same age(1929-born). Had she not retired, she could have been easily there in somany movies and 60s was so full of Ghazals.
O Mere Sanam Song
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